"With a low-fi, low-brow, nervey aesthetic derivative of only the bad aspects of showmen such as Alexander McQueen, Italian Renaissance Architecture, Lanvin storefronts, Tadashi Kawamata, and Barry McGee, informed by the emotional maturity of a twelve year old school girl, with the conceptual backing of a crack fueled orgy between Dan Brown, Eckhart Tolle, Paulo Coehlo, and Kojonup's Catholic priest, Egerton-Warburton feebly writes bad reviews for himself with the indecent intention of fishing for complements, proving that he shows no indication of breaking any artistic boundaries anytime soon."

-George Egerton-Warburton

In 2008 George exhibited in the Print Association of Western Australia, Moores Building Fremantle; Corso Aperto, San Francesco, Lake Como, Italy; Fremantle Print Award, Fremantle Arts Centre; South Perth Emerging Artist Award; 20x20, (touring) National Art School, Sydney; RMIT, Melbourne; John Curtin Gallery, Bentley Graduation Show, Curtin University, Perth; Public Improvisations, Fabrica Del Vapore/Careof, Milan. In 2009; Yellow vest syndrome, Fremantle Arts Centre; Burnie Print Award, Tasmania Hatched National Graduate Show, PICA; PICA Studio Residency June 22- September 20; Fremantle Print Award, Fremantle Arts Centre. In May 2010, George presented The Chicken Stampede as part of Next Waves No Risk Too Great Festival. He completed a Bachelor in Arts (Art) (Honours) in 2009.

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Image 1. CBD Intervention, Digital print, 2009.
Image 2. The Yellow Vest Theory (detail), Digital print, 2008.
Image 3. Supermarket Intervention. Digital print, 2008.
Image 4. Road trains will never tear us apart, Installation, slideshow, audio and metallic photographs on kappa board, Duration 14 mins, 2008.